"The reference point in my artistic research is U.S. art in the 1970s and 80s. I take over space by modulating the light, I compose visual installations that inevitably result in a loss ofbearings. They offer novel perceptions to spectators.

My work and research deal essentially with objects, their perception and their relation to space. The installation reveals the surrounding space that it includes as a decisive element. By using light, I irradiate space. The context becomes the content.

By becoming one with space, my installations stress the universality of perception because, as noted by Donald Judd, "the three dimensions are the real space".

I create light as a substance, a substance with volume and colour. A colour in space and time. It is mobile, fluid.

By invading space, light transforms it and often dematerialises it. The presence of light abolishes the limits between the environment and the environed. Both become one and the lightinstallation becomes a "situation", and "experiment for new perspectives".